

We know, possums, we know. We're just as shocked as you that, as The Chicago Tribune's blog is reporting, Padma Lakshmi would be wearing "a vivid purple knit top and dark tight trousers tucked into snappy boots" at Chicago's Green City Market while filming the new season of Top Chef.
As you may remember, possums, a debate of culinary-theological import has been raging: Hath Hung a soul or hath he not? Thus far, there has been no Bartolomé de las Casas to plead on his behalf, no Paul III to issue a papal bull declaring he has a soul.

It seems, possums, that after the Brian MFMalarkey interview, there is still more delighted squirming to be had, this time from his bisexual little brother, Hung Huynh.
Sometimes, possums, even we are taken aback at the sheer deliciousness of certain statements made by cheftestants. We practically squirm with delight.




Well, Padma, possum, you'll get no argument from us.
Well, possums, as anyone who's ever seen The Triplets of Belleville will tell you, having a French grandmother can make all the difference of the world. One must never underestimate Mamie dearest.
Goodness, possums, it seems there was a new episode of Top Chef last night. Can you believe it?


Well, possums, it seems Padma Lakshmi's got all the menfolks nuts about her.
It's certainly one of the most interesting defenses we've seen so far, possums, and it goes something like this:



For once, possums, we don't have a snarky thing to say.
Or so we hear, possums.







We remembered items in the gossip columns linking Padma to billionaire Ted Forstmann, but Forstmann doesn't look like that (maybe 30 years ago). Could it be his son? Or maybe he has the mother of all plastic surgeons.

Possums, remember the hubbub over Katie Lee Joel, Billy Joel's third wife and Tom Colicchio's first tv "wife" (which, come to think of it, makes Katie Lee a member of the First Wives' Club as well, after getting dumped for Padma Lakshmi), getting turned away from Sean Combs' White Party for wearing cream instead of white?
Possums, aside from the general blah-ness of this week's episode, and our desire to make a one-off joke at Howie Kleinberg's expense, our silence has been the result of rushing to meet a deadline in our non-blog life. We should be back in full logorrhea by tomorrow.

As for guest judge Michael Schwartz, to use his own words against him, “What the fuck is that?” For someone who is so focused on what “look[s] great” and on “presentation,” it seems dubious to go around looking like Edward G. Robinson in The Ten Commandments.





Possums, we know full well that everyone is tired of forked-tongued decorator Christopher Ciccone, and we had determined to do no more posts about him, but over the weekend we were having a bitch through Rupert Everett's autobiography, Red Carpets and Other Banana Skins, and we came across an irresistible passage that may help to explain the fact and tragedy of Christopher Ciccone, or how he went from this:

("Oh my God," said Miss XaXa, "he looks like Debbie Gibson threw up all over him." "Well," we reminded her, "as Madonna's back-up dancer he necessarily had to be an electric youth.") to this:

As our story begins, Rupert Everett is attending Donatella Versace's New Year's Eve party in Miami:
"Dessert was being served. A cluster of divas, some of them stars, others not, sat around Donatella at a corner table in the courtyard. The party moved fast around us, the table was a rock, and waves of fruits de mer crashed against it, swelling our numbers from eight to twelve, and then to sixteen. Chairs peeled off in all directions in a swastika for intimate asides over cigarettes and crossed legs, but the undertow on this particular stretch of bitch was strong and soon, they had been swept back out to sea by the acid tongue of Madonna's brother Christopher Ciccone, the glum monosyllabic reply of Guy Ritchie, or the polite but firm dismissal of Gwyneth Paltrow. Madonna smiled graciously to all and sundry, secure in the knowledge that someone else would do the dirty work, and give any unwanted jellyfish 'the old heave-ho.'....
Gwyneth had been flirting with Guy Oseary, the child prodigy who ran Madonna's record company, but that liaison was another thin strand that Gwyneth cut with the brisk cheer of a dignitary opening a new wing of a hospital. 'I name this ship...Over.' It had snapped before the party even began. Actually, she was as thick as thieves with Christopher, and after midnight the two of them danced like whirling dervishes until they wound up slumped and feverish on Donatella's garden couch.
And this was the night that marked the beginning of the end for Christopher and Madonna. They had been inseparable through a trippy childhood in a huge family with a wicked stepmother, and she had taken him with her to the material world, where Christopher had provided a solid raft in the shark-infested waters. And for anyone who came into contact with Madonna, to know her at all you had to know him. The one was incomprehensible without the other. He was her dark side and she was his. People reeled in horror at the mention of his name, because he had a blunt aggressive manner, and he often looked as though he was laughing at you, particularly when he was drunk...But Guy [Ritchie] and Chris were from different planets, and in a way the one's success relied on the other not being there. Also Guy was not particularly comfortable with queens, and so, as the relationship between him and Madonna quickly deepened, it was a last call for a lot of the disco bunnies and club-mix queens that made up the fabric of Madonna's mantle. It was a surprise, because Madonna came out of the womb blowing a disco whistle, but a whole aspect of her life was about to be hit by the delete button."
There you have it: Christopher Ciccone too bitchy and gay for Madonna's husband.
As a bonus, here's Rupert's account of a master class in snubbery from that same party:
"...[S]hortly before midnight, Jennifer Lopez swept into the courtyard on the arm of Benny Medina, her new manager. Donatella got up and walked over to greet her while Gwyneth and Madonna gave two snorts of derision and noisily left the room. The men and Ingrid [Casares] were momentarily flummoxed but followed suit, leaving me and my hairdresser Jamie alone at the table. It could have been a moment from The Women....
Jennifer had given a rather startling interview a few weeks earlier, one of her best, as a matter of fact, where she had regally dished all and sundry, saying, among other things, that Madonna couldn't sing and that Gwyneth couldn't act. This broke an unwritten Hollywood law. Think it but never say it....
[E]veryone there at the party that night adored the drama. They were visibly shaking with the thrill of it, and so were the girls in question. They were like ducks during a rainstorm, preening, stretching their wings, shaking themselves and quacking. Jennifer sat with Benny, holding a beatific smile in place for longer than a porno star keeps an erection. Gwyneth and Madonna huddled around Donatella's garden couch like bullies from the upper sixth....Jamie and I locked ourselves into a bathroom with Donatella, a bodyguard at the door, and informed the rest of the world what was going on outside. We popped out briefly for midnight and then went back to the bunker like war journalists to phone in the latest explosion."
Following her exit as Top Chef hostess after the first season, we had heard nary a peep about Mrs. Piano Man, Katie Lee Joel. Her role as wooden-faced child bride was taken by another.