Showing posts with label Product Placement. Show all posts
Showing posts with label Product Placement. Show all posts

Thursday, February 26, 2009

It’s Not Delivery, It’s Viviani: Fabio to Shill for Italian Frozen Pizza Made by German Corporation




















So sayeth the press release, announcing that “Fabio Viviani will act as American spokesperson for Italy’s number one selling frozen pizza,” Dr. Oetker’s “Ristorante” brand. Now, possums, we have no shame in admitting that we had never before heard of that undoubtedly storied Italian, Dr. Oetker, so we turned to the Internet.

According to Wikipedia, Dr. Oetker is a German company founded in 1891 by the eponymous Herrdoktor, who chose Nazi Party member Richard Kaselowsky as company leader in 1920. “In 1937, the company received the title of Nationalsozialistischer Musterbetrieb, or national-socialist model company, by the German Labour Front…. The company participates in the Forced/Slave Labor Compensation Fund, an organization of German industries taking responsibility for slave labour during the Second World War.”

It cannot be said strongly enough, however, that none of this is unique to Dr. Oetker as a company. After all, other highly reputable modern brands have Nazi associations in their corporate pasts. For example, historian Neil Gregor wrote a book on Daimler-Benz that found “a close association between the car manufacturer and the Nazi system” and established that “the company acquiesced in the exploitation of forced labor.” And yet no one has a problem buying a Merc, and in 1998 Daimler-Benz merged with the All-American Chrysler Corporation.

Nowadays, Dr. Oetker is apparently a multinational corporation with a good reputation in corporate responsibility and environmental matters. And somehow frozen pizza is now part of the empire, however odd it seems. Indeed, the German television ad below reflects that cognitive dissonance.








The Fabio “will participate in a five-city media tour this summer to introduce the favorite brand of thin-crust pizza lovers throughout Europe and Canada to consumers in the northeastern United States.” So if you live in the Northeast, you know what to look for, possums.

Padma Lakshmi Tries to Get the Smell of Bacon Burgers Out of Her Hair with Pantene



Thursday, January 15, 2009

“Top Chef” Product Placement Too Shameless and Not Shameless Enough


















So claims Product Placement News:

First of all, the product was not used or included in any of the cooked meals. Needless to say, it was an inorganic product placement. Secondly, the product had too many camera shots, which made the placement blatantly obvious. Lastly, some critics felt strongly that the chefs were forced to drink Dr. Pepper. After all, true chefs are always after the flavor and meals/drinks without sugar just don’t fit the profile.

But Betty “Spice Rack” Fraser and a visibly uncomfortable Stephanie Izard sure fit the profile, right?

(You know, possums, now that we think about it, we’d totally watch a remake of Two Fat Ladies featuring Betty and Ariane. Wouldn’t you?)

Wednesday, December 10, 2008

“Top Chef” or the First Ad in JDate’s National Television Campaign?

















Of course, there’s a third possibility to explain the actions of Leah Cohen and Hosea Rosenberg in the interstitial, but we’ll get to that in a sec.

But first, possums, we call “bullshit.” The interstitial was broadcast after the obligatory Stew Room scenes and right before Alex Eusebio was euthani-pykagged by Padma. The strong implication, since the “tribal marking” session clearly took place in the Stew Room, was that it was happening the same night that bridegroom Alex was to be put out of his Miss-ery and launched into Mrs-ery.

This, however, doesn’t appear to be the case. As shown below, during the breakfast Quickfire Challenge, little hearts drawn by Hosea could be seen on Leah’s hand. This means that the love graffiti was inscribed the night before, i.e., the night that Richard was pykagged.
















Why the deceit, and what was the point of this whole interstitial in the first place?

Certainly it could be part of the Leah-and-Hosea-sittin’-in-a-tree storyline, but we already had that in a previous episode, so this seems unnecessary. It’s apparent from the reaction of those around them that their antics have caused some amount of eye-rolling (except for the always understanding Carla, who chalks it up to sexual chemistry). We find something unsettling in this setting up of Leah as a needy, clingy Jezebel twining herself around a gap-toothed Rocky Mountain patriarch (and it isn’t just the name Hosea that makes us think this; his very features cry out for a Mennonite hat and a barn-raising, and Harrison Ford hiding out from the bad guys).

Indeed, when Alex went into the sequester house with the other misfit toys, he re-enacted that twining and referred to Leah as a “Ho fo’ Sho’” (leaving aside for just a second how sexist this is, wouldn’t it be more accurate to call her, in light of the object of her affection, “Ho for Ho”?). Would any self-respecting chef, especially someone who cooked under Anne Burrell, want to be portrayed on television as a cat in heat and called a “ho”? (Furthermore, given how proud a number of Asian-themed blogs and media outlets are of Leah (her mother is Filipina), it seems an added injury for the editors to trot out these suggestions of the old, sexualized, “me love you long time” image of Asian women in this portrayal of Leah.)

But what if the whole thing was about nothing more than product placement? It cannot have escaped anyone’s notice that Hosea was using a Sharpie to write on himself and on Leah. So wasn’t the entire Leahosea episode just an insidious Sharpie commercial? Can it be just a coincidence that Sharpie’s commercial tagline, “Write Out Loud,” is practically the same as “Live Out Loud,” the tagline for the Oxygen Network, which—wouldn’t you know it—is run by Bravo’s president, Lauren Zalaznick (indeed, as detailed in a New York Times story, she was instrumental in choosing the tagline)? And yet, we find no record in the end credits of Newell Rubbermaid paying any promotional consideration. We nonetheless find it hard to believe that Bravo would feature a product for nothing; it’s simply not in their corporate genes. On verra.

You know, possums, this rant originally had a point, though we’d be hard-pressed to find it now, so while we’re ranting, let us call “bullshit” on two more things:

* Padma saying in the previews for last week’s episode, very somberly and dramatically, “We have a situation,” of which nary a mention appeared once the episode aired. We say, “Bullshit” (and narrative cockteasery).















* Hoda Kotb making Kathie Lee Gifford faces while sampling Jeff McInnis’ malfouf roll, as if the flavors (including sumac) were so very exotic or unknown. Um, (C)Hoda Kotb is Egyptian-American, spent summers in Egypt while growing up, and worked extensively as a reporter in Egypt and Iraq. We say, “Bullshit.”

OK, possums, rant over. We’ll go lie down for a second to ponder how a harmless little post on cheftestant puppy love turned into a rant, and we will think of Gail Simmons to cool our fevered brow.

Wednesday, June 27, 2007

Wednesday, January 17, 2007

Amuse-Biatch Grab Bag

Most egregious (unintentionally comical) bit of product placement on a product placement-plagued episode: Padma Lakshmi telling the cheftestants that they would discuss their ideas about the restaurant challenge "en route to your location in your RAV 4's."

Was it just us, or did guest chef Mike Yakura's new 'do make him look like an extra from Mel Gibson's Apocalypto?


Pearl of wisdom from Top Chef head coach Tommy "LaSorta" Colicchio: "Sort of's not a concept." Wait, but uWink is? WTF?

Most (unintentionally) sexually suggestive statement made by a cheftestant: "Pull that bacon."

Second most (unintentionally) sexually suggestive statement made by a cheftestant: "Get more sugar on there, 'cause it smells a little gassy."